Wednesday, June 27, 2012

Thoreau-ing thoughts around

This past weekend I decided to make a quick jaunt up to see my grandmother. My goal was to come back with a new poem....I came back with several ideas. So a new poem is TBD (but I'll post an old one up anyway). Regardless, it was a really wonderful mini-trip, well worth the seven hour drive each way.

My grandmother lives on a plot of land that my grandfather purchased in the 60s with some business partners. It's a little hide-away of a "neighborhood" on what used to be the Roanoke River (it was dammed up in the 50s and is now Buggs Island/Kerr Lake - depending on whether you are in NC or VA). When my dad went off to college, my grandpa sold their house in McClean, VA and built their retirement home (a two-story cedar cabin) on this plot of land. This lake is where I learned to fish, waterski, drive (golf-carts, and then cars on the backroads), kill all manner of insects, and appreciate the magic of the North American woods.

I had so many moments at the lake this weekend of thinking That's a poem, but it was hard to write anything down. So I've decided to share three of these moments with you,  and then I'll just let them sit for a bit and see what emerges later.

Sunday morning: I sat on the "beach" alone, half in shade under "the big tree" where all manner of life-vests, chairs, and floats are kept out of the sun's fading rays. On the ground, not too far from my chair were two butterflies - one monarch and one black and blue. They were fluttering their wings, but not flying, which in my book meant that they had just burst from their coccoons and were drying their wings before trying out the bright, big world or... they were dying. I decided they were dying, because that seemed like a better poem. I jotted down some observations about their movement, their struggle, where they chose to flutter their last, and then I walked down to the water to cool off. When I returned, they were gone....so I guess they had learned to fly after all. I then remembered it was under that tree I received my first waterskiing lesson from my grandpa. I've learned to "fly" under that tree as well.

Sunday afternoon: My dad and I pulled out our little "Sunfish" - a small sailboat. We had a wonderful sail and some good conversation. My dad mentioned that he had visited my grandpa's grave on his way down the day before. He said something to the effect of, "You know there are Confederate soldiers buried in that same cemetery, and there is still what was then called the "colored" section. It's amazing how history gets recorded by people's burial sites." We then talked a little about the lake and the Native American history that we were currently floating over. The keen eye can still find arrowheads on the shores of this lake, and I thought that it is amazing how water can cover a multitude of eras which will never be remembered in a burial of earth.

Later that afternoon, I saw my first bald eagle in the wild.

Monday morning: My dad and I had to get the sailboat out of the water and store it again, so we bumped our way down to the shore in Grandmother's golf-cart. Right before we hit the beach, my dad stopped the cart and pointed to a spot in the grass. There, my friends, was the largest snake I've seen since I lived in Africa. He was eyeing my dad, who had jumped out of the cart to get a closer look....boys. We could tell he had something in his mouth, but we weren't sure what until my dad took one step closer, causing the snake to drop his meal and zoom into the brush. I then inched my way over to get a good look, and there, half-eaten and bloody, was a copper-head. After pulling ourselves away, we loaded the boat and started back to the house. As we passed the spot where the snake had dropped the copper-head, we saw that he had come back, reclaimed his venomous lunch and disappeared once more into the brush.

So - three poems? Or maybe one long one...Below is an old poem my dad asked me to post. The tie-in is that it has to do with death and animals. Enjoy.


The Day We Ate My Pet Chicken

They told me halfway through the meal.
I dropped his leg, ran to the toilet.
I had named him and called him mine in the back of our white jeep.
As we bounced down village roads past dripping banana leaves
and women of burden lugging water and babies,
he screeched and lost his feathers while I sang lullabies
and caught those feathers in the air.

He had been a gift to my father from the villagers
Thankful for his visit, his words, their language on his tongue.
Days later, the gift cluckclucked around the yard, haughty and fat with grain.
I was a good little mama, the gardener had said.

I couldn’t bring any part of him back up and so returned to the table.
I shrugged and sat until the licking of bones turned into the clatter of dishes.
I didn’t know if I should mourn when the scraps were given to the dogs.
 

Emily Anne Decker (2009)

Friday, June 15, 2012

Idiomaticness

Last night I went to see a live broadcast of Christopher Plummer in The Tempest. It was enchanting and beautiful, and it reminded me that two of my favorite Shakespearean quotes come from this play:

"We are such stuff / As dreams are made on; and our little life / Is rounded with a sleep."
- Prospero (IV. i)
"O brave new world, / That has such people in't!"
-Miranda (V. i)

These are certainly not Shakespeare's most quoted lines, but they have somehow retained their familiarity, and therefore their influence, in the English language.

The night before last I went to Write Club - a once-a-month gathering of writers and wits who face-off with their expositions addressing universally thematic rivals (ie. Method vs. Madness, Sacred vs. Profane, etc.). As I listened to these writers tackle these topics with (in most cases) a fabulous ripeness of humor and relevance, I thought that it really is interesting, from a linguistic perspective, how much of our communication (and often our most intelligent communication) consists of idioms, colloquialisms, abbreviations, and allusions. We've taken the simplest metaphor - a word - and chained it with others to create metaphors on top of metaphors on top of metaphors. Not suprisingly then is the fact that these tend to be both the most lasting and the most dynamic bits of language.

About a year ago was the the 400th anniversary of the King James Bible, and I was involved in an homage of sorts to the lasting effects this version of the Bible has had on our culture since its publication. My portion of the performance consisted of reading an original poem in which I wrote each line using or alluding to an idiom from the KJV. It was a fun and complex feat, despite it being ripe with clichés -- purposely so, of course ;-). It is below.


The Writing on the Wall

When the sweat of my brow seems more like peace offerings
Of sour grapes, and labours of love become like lambs
Led to the slaughter, how will I read the writing on the wall?

Will I join the ranks of blind leading the blind
Who live in a daily surrender to the powers that be,
Never noting their pearls as they are cast before swine?

Or will I sit with the salt of the earth
To whom everything there is a season and all things must pass
From strength to strength thru songs of “Thy will be done.”?

Maybe I’ll wash my hands of fighting the good fight
And eat, drink, and be merry till my fall becomes
Merely a fly in the ointment of faith.

Perhaps I’ll become a voice crying in the wilderness of wolves
In sheep’s clothing, clutching the thorn in my flesh as I yell, “Blessed
Are the peacemakers” while suppressing my thirst for my eye and my tooth.

Or maybe, I’ll harden my heart and bite the dust 
As I bury my face in the sand, moaning a final “woe is me”
While the grit and dust fill my mouth and stop my breath.

Yet, if within myself I find the strength to not be me of little faith,
Or let the wall’s writing put words in my mouth, my heart’s desire just might rise
Out of the ashes and the dust, and erase the writing, etching instead

“Let there be light!”

-Emily Decker (2011)



Saturday, June 9, 2012

"The Mango Tree"

I often feel like the moments of sheer uncertainty in my life are the ones in which I end up feeling the most nostalgic. Perhaps my memories, often of my childhood, act as a buffer between the fear of not knowing what lies ahead and the anticipation of the novelty in what lies ahead. I had a fairly idyllic childhood in Ghana, and the memories I've retained of that time surface more when I need additional certainty in my life.

Tonight, I've decided to share one poem I wrote several years ago. It is set in Ghana - I've written a few poems set in Ghana; I'm sure I'll write more. I think it's interesting how the seeds of creativity often seem to stem from places much farther back in my memory than I often anticipate. This poem took me by surprise once I had written it, and even more so once it had been work shopped by others. Perhaps it's the somewhat darker turn at the end - I'll let you come to your own conclusions. Bon nuit.


"The Mango Tree"

The day I found snake skins on my swing,  

draped like discarded clothes thrown on the bed,

Daddy said I couldn’t play in it anymore.

The mambas, shedding and cranky, had taken over my tree.

That season I stayed near the veranda and watched the branches

start to bend with rains and ripe fruit,

sagging like arms stretching to touch toes.

We picked mangoes carefully that year, alert

for a darting flash of bright green against black bark

and sage-colored leaves. I decided the mambas had left,

leaving behind their skins and S-shaped signatures in the dirt.

I was still told to stay away from the tree, so I did,

except for one day. Toting two Barbies and a picnic,

I climbed into the Y halfway up the trunk.

There were noises – my brother crying,

the thump of coconuts hitting the ground.

I heard the wind in the leaves.

When I felt the sting, sharp and burning, I laid my dolls side by side,

rigid and staring up at the light piercing the canopy.

I turned to look at my foot and saw the black ant

crawling up my ankle and the red welt swelling my toe.

I watched the ant travel to my knee, then brushed him away.

Once I’d gathered my dolls and jumped, I looked up:

one silky skin, caught on the knotted branch above my swing,

fluttered in the breeze.

Emily Anne Decker (2009)

Wednesday, June 6, 2012

Echo and Ephemera

This is my second go at blogging, and I think a bit of explanation is in order.

Why: accountability to writing, mainly ( also a good way for friends and family to keep up with my adventure in Paris later this summer - yay!)

Poème: the french word for poem...the medium in which I hope to do most of my "blogging," a forum to post new and old material. I've learned that, simply put, a poem is a piece of communication as art, as metaphor, and as it moves outward, also moves inward -- that is all I wish for this next venture in online expression.

Echo and Ephemera: the titles to two beautiful poems (posted below) on the surface about love, but more deeply about reflecting, searching, finding, letting go, and moving on. I thought they might be appropriate "mascots" for this blog.

A bit about recent events: Two weeks ago I walked away from my life as a teacher. There is too much to say about the past three years, but I'm sure the remnants of my experiences will be revealed in many ways through this new forum of expression. We'll see. I finished the school year and resigned without knowing what the next step is...I am both extremely proud and daunted by this decision.  As a result, I am certainly seeking...and looking forward to the journey ahead. I hope you'll enjoy joining me as I search through my observations and attempts to communicate in art, in metaphor.

"Echo" by Christina Rossetti


Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.

Oh dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.

Yet come to me in dreams, that I may live
My very life again tho’ cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low,
As long ago, my love, how long ago.

"Ephemera" by W. B. Yeats

'Your eyes that once were never weary of mine
Are bowed in sorrow under pendulous lids,
Because our love is waning.'
                                                  And then she:
'Although our love is waning, let us stand
By the lone border of the lake once more,
Together in that hour of gentleness
When the poor tired child, passion, falls asleep.
How far away the stars seem, and how far
Is our first kiss, and ah, how old my heart!'

Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
'Passion has often worn our wandering hearts.'

The woods were round them, and the yellow leaves
Fell like faint meteors in the gloom, and once
A rabbit old and lame limped down the path;
Autumn was over him: and now they stood
On the lone border of the lake once more:
Turning, he saw that she had thrust dead leaves
Gathered in silence, dewy as her eyes,
In bosom and hair.
                                   'Ah, do not mourn,' he said,
'That we are tired, for other loves await us;
Hate on and love through unrepining hours.
Before us lies eternity; our souls
Are love, and a continual farewell.'